The Stars in the Sky Are Dinosaur Bones, The Thump on the Stairs is Your Ass

by Serge Bielanko

At night when the kids aren't here I do my thing. Some nights I make my salad or whatever. Other nights I push my fingers deep inside the fridge-cooled carcass of some long dead chicken with one hand while I work the remote with the other. Flicking through the stuff on my DVR I have to laugh at all the movies I've recorded over the last year or so.

There's so many good ones, but what am I doing?

I never watch them.

I've been dragging Slumdog Millionaire around with me for so long that it feels like I've seen it just by looking at the damn title night after night, week after week, month after month after month.

I've never seen it though. I might never watch it at this point. I get off on not seeing it. We get so turned on by edgy denial. Some art hits you all strange like that. The best sex has never ever happened for real. The most epic shags are ether and mist. Slumdog Millionaire and me, we have that. We get off on not getting off. We are fuck-me eyes across the bar and then back home alone.

I miss the kids on these nights. Lately Henry in a certain kind of way.

He never leaves me alone when he's here and so even though I refuse to tell him this outright, the fact of the matter is that I've quit trying to keep him away. There was a period last winter when I wanted him to stay upstairs as each evening came and went. But no matter how much I begged him to respect my 'Grown Up Time' or told him I was going to be watching a "Grown Up Show'. No matter how much I lied to his tiny ass about how I was going to be pissed off if he came back downstairs after I'd set him and his sister up with the Netflix on my computer, his resilience proved too much.

His little heart was set on me.

It took me a while to get that, but I get it now. After a while I began to understand that I was trying to shove a lousy half hour of come down silence/peace/quiet/bullshit lies into a space the universe had already long ago reserved for a 4-year-old to come thump sliding down the stairs on his ass despite my selfish pleas.

Back around June, as the summer began to slip in all around us, I started seeing that the whole time alone thing for me wasn't even something I really needed or even wanted for that matter. I don't know how Henry figured that out. I will never know. But he did, he zoomed in on the truth. And so he kept coming down. And I stopped stopping him. And right away fifty elephants were chopper lifted up off my lame chest.

Now I play the same stupid game with him but I have no idea why. I get Charlie to sleep in the damn Pack-n-Play I still use for him and then I go through the same old drill with Violet and Henry. 

Brush teeth.

Wipe toothpaste spit and water off of sink edge.

Wipe toothpaste out of kid mouth corners.

Cup water in my hand for them to rinse out their neon blue Avengers candy crap toothpaste   since they seem to dig me doing that for some reason.

Tell everyone to stop jumping around like wild animals ripping high on toothpaste. "SHHHHH! Charlie's sleeping!"

Hand out pajamas.

Have my pajama choices refuted and refused for infinite reasons, mostly in favor of near nakedness.

Hook up the laptop to the speakers and mess around with it until I find the Netflix.

Ask them what they want to watch.

Warn them that it's an early night. "We have to get up early in the morning." No one listens. No one cares. I'm a potato chip bag blowing down the street.

Listen to them refute and refuse each others cartoon choices.

Put on something, anything and tell them that's it. "Watch Wild Kratts. It's a good show. There was no Wild Kratss when me and Uncle Dave were growing up. We had to watch Tom and Jerry or nothing else. And that was only on for a few minutes a day. You guys are lucky. Watch Wild Kratts or go to bed now."

I slip away then sighing the sigh of the battlefield wounded. But as I exit that room each night of my half of the week with them, I get slammed by love. Annihilated by love. Roadside bombed by something truer than truth despite the string of lies I tell myself all day long.

I move down the stairs, hit the bottom in the pale light of the bulb back at the top, pass by the school bags and lunch bags and the wooden box of shoes and open the door back into the kitchen alone.

Then I wait.

I make my dinner, look at the clock. It's 8:22pm or something close to that usually. I look at my phone, see if anybody called/anybody liked any of my shit on Facebook or Instagram. Nothing. I look around my house, my small house, old house, my small old rented house glowing in the Christmas lights I hung up and leave lit up all the time even though it seems so tacky and bullshit. I don't know what I'm doing anymore. I imagine Christmas lights will make the kids happier. I want them happy and that's pretty much all I want, I tell myself, which is also a lie by the way.

I look around and I walk over to the TV and flip it on and it's Monday so I know there's a Diners, Drive-Ins, and Dives marathon on and that's where I aim the entire living room. I aim it at diners. And drive-ins. And dives.

In the fading moments of some fading moment I aim my whole life at a taqueria joint in Minneapolis where they still make their own salsa verde in house, every single mother fucking day.

I pop the cap off a Sierra Nevada Pale Ale. I only ever have one anymore. I might even stop that. I just can't be sure where I'm headed, you see.

I glide/float/walk/fly over to the coffee table and I thump my food down, the chicken still parked there in the same plastic container I bought it in, parked there in death, its stupid brittle bones dipped down into the gelatinous goop of its own demise. I thump the hummus container down next to the bird. I bring over the cutting board with the slices of red pepper and the cheap jar olives and the cut-up tomato on it.

A broccoli piece rolls off the thing as I try to balance carry it the six feet I have to travel from the kitchen to the coffee table.

"Fuckin' fuck," I say. I don't know what else to say. It's a piece of broccoli. What do I say? Whose fault is it? It's on the floor now so to hell with it. I'll still eat it/I don't care. I eat shit that falls on my kitchen floor all the time, dude. I don't go in for any of that kissing it and holding it up to God or anything either. I just pick it up and pop it in my mouth and I can taste the whole world for three miles in any direction. My kids and me, we track it all in here and I turn around and dredge/marinate stuff I drop to that world and so yeah: every single day I eat dropped broccoli dipped in dog dirt/tick spray/gravel dust/kid foot fungus/whatever.

Who cares?

I dare that shit to kill me or to make me sick. I don't worry about that. You can't die from eating dirt or small amounts of horrible chemicals. It adds flavor. I probably eat and digest upwards of two or three ounces of squirrel shit a year if I broke it all down. My insides are a forest, babe. My guts right now? They're this overheated museum of Pennsylvania summertime. Dig that if you can. And you can if you want.

I wait til Henry shows up before I eat now.

He has this sixth sense. The entire thing has been scripted for probably the last three billion years, me and Henry dining together after I tell him to stay upstairs. It's as if our fates were sealed many many moons ago and I feel that in my bones, yo.

He shows up underneath his blankie. I hear his muffled ass thumps on the stairs as I sneak an olive and stare at a Waco burger joint where they're kickin' out some fuckin' FlavorTown righteousness.

All of my world falls away from me everyday. I sense her holding me in the embrace of a lifetime only to loosen her grip on me at some point so I can be fed to wolves, shoved gently out into the open pit of my own panic or fears, my whole future down there slithering under the weight of a thousand mean mountain rattlesnakes.

And then Henry. Here he comes pretending he's a ghost, making his ghost sounds the moment he enters the kitchen from the stairwell. He saves me every night, I guess. That sounds so stupid to say that. It seems like lazy writing for me to carry your heavy ass over to some soulful point where my little kid saves me from my own blue haze, but there it is. So there you go.

You need to recognize real beauty when you see it, man. It isn't ever someone's face either. That kind of beauty is nothing. That's happy hour whore makeup, dude. Faces and bodies and your body on my face or whatever, that's not what I'm getting at here. I'm talking about castles, you're thinking about cheekbones or whatever. Beauty, true true tried-and-true beautiful beauty doesn't live out in the evening sparkle of some lover's green eyes or blah blah blah. True beauty, the real McCoy shit, the literature stuff that makes you lay the book down on your chest and stare at the ceiling in awe of the moment you just lived through, that stuff never comes from any obvious place.

It's born unexpectedly. It's a free fucking car slamming through your front room.

And then, if you're lucky, that kind of beauty comes back on a regular basis for a spell. Maybe it comes back for a few nights running. Maybe for a hundred nights or even a thousand nights, I don't know. No one knows. We take everything for granted. We are blinder than bats. We are bats wearing blinders. Oh damn, we miss so much.

Beauty knocking down our doors. And then/gone.

Eventually, you see, one night you sit there waiting for it, your fat finger sliding up and down the wetness of a single bottle of beer/your half-baked teeth chewing down slow and hard on some floppy sliver of some factory farmed shitty life chicken's dead body/your eyes on the Denver mom and pop joint where they're still making deep fried onion rings in their own house special secret batter like they have for the last seven motherfucking years now/ you sit there waiting for it, expecting it, counting on it, dreaming of it in ways you never dreamed you'd dream of a thing but that's what you're doing, amigo, on the very night when- POOF: it doesn't come.

It stops showing up.

The ass thumps go quiet.

The ghost peering around at you stops showing up.

The loveliest beauty just leaves you hanging.

And look, my man, it's nobody's fault. It's just the way the script was written. Written way back when the sun was a stone and the sky was the ocean and the stars were all dinosaurs licking each others assholes and bones in a galaxy far, far away.

Not tonight though. Or not tonight if the kids are here with me anyway. If they're here, me and him will act out the scene there at the coffee table. Or at least: God I hope we will.

Show up, boss.

Steal my cheese and talk over the TV, a-mile-a-minute, you beautiful soul.

Put your finger in the plastic thing of hummus even if you've been picking your crusty nose with it. I don't care, man. I swear to God. I. Do. Not. Care.

I'd eat all your boogers if you asked me to.

I can't tell you that outright, bro, but if you asked me to, for almost any stupid reason in the world, I would eat your beautiful late summer boogers out of your skull like sweet relish from a picnic jar.

It is what it is.

And on the nights when I'm alone here/and you're nowhere to be found/that's the kind of stuff I'm realizing/as I sip my one Pale Ale/as I stare fifty mile prison spotlight holes through a pizza joint in Milwaukee where they're cooking up some good old fashion motherfucking calzones with a very Midwestern twist.

The Walkin' Talkin' Meteors I Miss When I'm Standin' In The Yard Blues

by Serge Bielanko

I wake up at 5 this morning, set the alarm on the iPhone, the whole bit. I pull on my shorts and step into my Vans and hit the bathroom to get rid of the one Sierra Nevada Pale Ale I let myself drink last night and then away I go/down I go/down the stairs headed for the coffee pot.

I can make coffee in my sleep. I've made trillions of pots of coffee in my life. I've Malcom Gladwell'd the operation, achieved my 10,000 hour expert status in making pots of coffee by the time I was like 17. I'm making a pot of coffee right now as I type this shit. I'm not kidding. I'm typing this with one hand and making a pot of coffee with the other and both things are moving along nicely, if I do say so myself.

Anyway, I start the coffee even though I'm still ninety-seven percent unconscious and then I head out the door from the kitchen into the summer kitchen and then unlock the back door and stumble out into the backyard dark to see the last of the shooting stars.


Look, it doesn't matter why I'm looking for meteors or meteorites or whatever the hell you call them. That's not something I'm even clear about: my reasoning, my motivation. Everyone has been talking about these bastards whipping across the sky and I want in, that's all. People are talking about a remarkable event and so obviously those of us who slept right through it last night might be feeling a little pressure to crawl out of bed this morning and have a crack, you know?

Someone told me the tale of high-fiving his girlfriend in the middle of the night the other night because they were so jacked up on all the meteors they were seeing up in the sky.



I'm not the most competitive person in the world, but when it comes to stuff like this I get pissed off if I missed it. I admit that. I'm lame, what do you want me to say? You're not lame at all? Good for you. I'm lame, man.

I'm weak and ultra human.

I got pissed off when I missed the whole Mad Men thing a few months back. People talking about Mad Men this and Mad Men that, "The big finale is coming up!", blah blah blah. I got so pissed off and annoyed that I wasn't gonna be able to catch up on friggin' Mad Men in time to watch the final episode I started unfriending people on Facebook who were all Mad Menning out.

Fuuuck you, I thought. Goodbye to you and your dumbass Mad Men.

That show is ruined for me forever now, too. Don't tell me how great it is, how I need to see it; I don't care; I'll never watch it; I will pop my fingers in my earholes and la-la-la-la-la while you tell me how much I would love it in that certain kind of way that we try and sell people our own taste, by emphasizing the fact that absolutely KNOW that this particular person would LOVE it. 

"Oh dude, you especially, you would LOVE MAD MEN!!!"

Soon as I hear that tone I automatically hate the thing. Band, album, show, book, hummus, it doesn't matter, I hear that very certain little tone, that emphasis on the personal, and I hate the thing so much without even teeny tiny bit of checking it out. It sucks! I know it sucks. But I can't help it. It is what it is. Tell me I'd hate it though, tell me I wouldn't dig the things you dig, and I will be clung out on your windowsill at night tapping your glass with a penny trying to wake your ass up just so you can walk over and stare at me in bewilderment as I "casually" mention to you in passing that I've actually been digging on that band you said I'd hate. So kiss my ass. And love me please. Incidentally, I don't dig the band in reality, but my false reality trumps my real one when you challenge my cultural/pop-ness.

You know what I'm talking about, don't you? You do this too, right?

Anyway the way things came down means that nothing could ever bring me back from where I ended up going with that final episode of Mad Men, how much I suffered underneath all that hype and chatter.

Maybe a woman could bring me round, I guess. If a drop dead gorgeous woman with her hooks in my chest told me she wanted to watch Mad Men with me, I'd probably go with that. No, I would go with that, I'm telling you that right now. But that hasn't happened yet and so the rest of you can take your Don Draper and all his friends and stick them in your ass.

I'm out.


I know that isn't cool, of course I know that. I don't need you to tell me how juvenile that is, but there you go: I'm writing my honest, true heart here, okay? Sometimes I'm moved by inexplicable whims. I get hurt by incidentals, nudged by a strange and twisted kind of evil that squats down in my bone tunnels. I'm Malcom Gladwelling preposterous disdain. I'm like five hours away from being an expert asshole.



This morning my heart feels pure enough. I want to see the meteors because I know they must be beautiful to see. I want to press my face against the predawn sky and feel the magic of something rare and wonderful in the big majestic sense, you know? Nothing feels that way to me anymore. It will again, I know it will. But lately, after divorce and all the sad blues that come along with it, everything beautiful is a struggle for me to see. I can't seem to clock much beyond the occasional skies I post on Instagram or the tiny moments when I catch my kids playing together in the front room on a Sunday morning.

I haven't been Shazam'd in a while. I could use a fucking meteor shower is what I'm saying, yo. I deserve a whole sky full of shooting stars or whatever you call 'em. That might sound a bit presumptuous and immature, me saying I deserve anything as awesome as that, but I'm saying it anyway. At least sitting here in all this late morning retrospect I am. Because in retrospect, you see, anything goes.

Point is, I don't see shit.

I turn away from the big streetlight down behind the church and I concentrate my gaze over towards the dark skies above the mountain beyond town. I give it the recommended fifteen minutes or so to let my eyes adjust. Let your eyes adjust, that's what all the damn articles on the internet have been saying, let your precious little eyeballs adjust to black infinity if you wanna see some crazy outer space romantic action, you simple-minded Walmart astronomer wannabe.


There are stars but only the still kind.

A plane or three.

I watch one pin dot flicking it's light way up there and I try to imagine where they're going. Maybe JFK? How the hell do you ever know? We cannot know. I think that sucks. I stand there and think about heading back in for a cup of coffee but I get caught up in this notion about how it would be pretty cool if there was an app that you could hold up to the sky just like that Sky Watch one, but you aim it at jets and it tells you where they're out of and where they're headed. I'd buy that. Then I remember the obvious/that people would probably use it in shitty ways, I guess. It's got to be a secret anymore, I figure. You're not allowed to know stuff like that. You and me are on a need-to-know basis when it comes to the jets twinkling way up there above our twee little lives down here on the ground.

And we don't need to know a damn thing is what we need to know,. I take my app idea and I kill it out there in my yard just as soon as it's born. I stomp it's soft baby head into the dewy grass. I cold blood murder probably the best idea I'll have all day and the sun's not even up yet.


Perseids Meteorites Seen as of This Morning:

Everyone Else: 376,763,221,217,338,093.

Serge Bielanko: 0


People up there in a jet headed for places, headed home, maybe an hour or so away from terminal hugs from someone they love so hard and have missed so badly; people sitting there in the dimmed cabin sleeping/some drooling down on their comfortable travel shirt/some listening to music or hovering around the aisle by one of the bathroom doors/stretching their legs and arms/pretending to be looking at other stuff when they're really looking at the people in the rows right there beside them. That's what I'd be doing, what I always did back when I traveled in planes a lot. I'd be pretending I was trying to dodge the thrombosis by sneaking glances at women so beautiful that they hurt my face. I would sneak looks at them as they slept there on their boyfriends shoulders or their husbands shoulders, him still half-awake squinting at the Tom Cruise flick in the seat back screen, him content with the knowledge that he is the one moving fast through the sky with a special kind of someone asleep against his body. 

Clinking/clanking stewardesses getting the breakfast carts ready to roll out.

The feeling of an airplane cabin when you are roused from your shitty sleep by the sound of other people rousing from theirs, the faint thumps and squeaks of their chairs moving again, the sitters coming back to life, the rush of coffee slamming itself up your nose, the clack of trays coming down now, your blurry eyes coming round, window seat man waking up/lifting his plastic shutter/the sound is hiss-thwack/he looks out over the dark world below, you try to see too but you cannot see the dark world below, you cannot see it, you can only sense it as the lights rip down the aisles down and the cabin is lit again, you only sense what is happening miles beneath your feet, but is a sense that eludes you since you have no idea that it is connected to the universe in such a tidy little way.

You feel yourself coming alive and you are coming alive as the airplane cabin comes alive and brings you along with it. Your heart sings with inside happiness. You are kind of giddy and you cannot wait for the breakfast cart. You have nowhere to be right now. You are exactly where you paid to be and that is all that matters as you look around you at the people in the neighboring rows and you feel the loose kinship/the ephemeral human connection that happens between people riding together in same jets.

There is a casual union. Sometimes it feels like it could maybe last forever, but we both know it never does. Up in the sky, you sigh. Up in the sky, you are happy this morning. Hours ago, you fell asleep to the sight of many meteorites dancing down the unseen horizon. Window seat had let you see out there then. It was all amazing. What fortune to be in the sky during such a time. The coffee smells divine now. You're almost to Charlotte, to your connection, to Paris/to Dubai/to Moscow/to the moon. You smile to yourself at how lovely life can be.

And down here in my yard, I look up at your jet and wonder what I have to do to see a fucking a meteor around here.


I spin around, a little dejected but I'll live, my nose all up in the coffee smell pouring out of my own airplane cabin parked here in this dirt for the next ten thousand years, I guess.

I flip on the TV.


I flip it off.


I take a first sip of coffee at the exact moment a meteor crashes through the roof and explodes all over my kitchen.

I smile, take a second sip.

Here we go.


Six Eyes/Six Eyes/Seven Days a Week

by Serge Bielanko

I hand off the kids to her with the regular goodbyes.

Henry kisses me on the lips and smiles and waves his hands around because he's high on the cookie he was just eating in my Honda not five minutes ago. Violet is already in the backseat, clicking in. She's far enough away that she doesn't want to come back up for a kiss. I get it. I smile at her and she smiles and looks out her window at the summer bashing down all over this gas station parking lot.

Charlie never stops smiling at me. He says his favorite word. "Bye." He says this gently, with soul and meaning, and it dawns on me that he knows the drill now. He knows that him sitting there in his mom's car seat but looking at my face means goodbye.

"Bye-bye, my friend!" I tell him with a wave. "I love you, Charlie Marley!"

"Bye." he says. "Bye." He likes the sound of his own goodbyes and I know it.

Her van doors close on an automatic hinge as if they've been pre-programmed to close the curtain on this scene for way longer than I could ever even know. There is a latching sound and then then the slow smooth slide of the door returning to it's natural state. It's so fucking mechanical that it kills me.


The last sound I hear is the pop of her locks as she sets them on her own from behind her dash.

She rolls the window down then and Henry is back and he's still smiling at me as Charlie waves the last gulp of milk in his bottle at me from across the dark inside.

"Bye." "Bye." "Bye." He's on a roll. He's goodbying the hell out of me. He's telling me to get lost, let him get on with his evening, maybe. It's hard to say.

We part ways under the afternoon sun and I wonder if anyone here in this lot notices us at all. I wonder if anyone pumping their gas over there might have just been staring at us and clocking all this goodbye/tradeoff/little modern divorce performance art Fringe Festival pop-up fucking play we've been putting on here for free over by the tire air hose.

Probably no one has. Convenience store people this time of day have had it with the world. They're sloshing gas to get home. They're moving across the lot, moving from heat to the doors of salvation, to the AC and piped in modern rock and the overfat cans of Mountain Dew just staring out the cooler glass like evening dogs panting down the front window, waiting for the return of their humans.

I'd notice though.

People like me would notice us.

We separate. We come together and we separate, wholly and completely, all the time now. In the first few moments of our weekly reunion I am a man on fire, my heart rising up out of my swamps and dancing across my land with the hugs and the kisses and the greetings and the picture Henry drew for me or the stuffed animal Violet just got and needs to show me. Then we live some life. We eat, we go to the park or to the store, we get tired, we laugh, we lay close to each other and we yell or fight or dance depending on the passing moment, depending on the full moon or not.

By the fourth hour of the fourth day I'm exhausted. And so are they, I guess. We have settled into our groove in order for us to rip it the fuck apart. We have grown slightly more familiar with each other just so we can walk away again.

I smoke cigs on the back porch to the sound of them chasing each other around back in the house.

I tell myself that I'm being watched/I tell myself that the universe has cameras all over my ass. I imagine me being studied by some kind of energy rippling across outer space and it's the kind of energy with enough pull to make shit happen for me but truth is I don't even know what I'm hoping for, what I'm thinking could happen. I'm already happening, man. We all are. It's all happening right now, right here/right now even as I blow Marlboro Light smoke at the afternoon bees and fuck 'em up into toxic holding patterns for a second or two.

From above us, with good hi-def cameras attached to strong drones, a smart documentary maker with a badass budget could capture something wild and sad and wonderfully blue. The right person with the right eye could make something good out of all this standard heartbreak, I think. I tell myself shit like that all the time, try to live my days through the $50,000 lense of someone else's flick, someone else's masterpiece.

The talk-of-Sundance, I tell myself. Make us the talk of Sundance. Make me the talk of fucking Sundance just for lingering there in a gas station lot drowning in my own ridiculous meta.

"Bye." Charlie might still be saying that to me, he might not; there's no way for me to know.

I hang the right out of the parking lot and head up the valley directly away from them heading back down it.

I hit the CD player and it was always my plan.

The slow-rising drone of the synth.

Jesus standing there in a whipping desert dawn sandstorm.

The gates of Heaven.

True love.


Legendary beach sex.


The majesty rarely pulled off, but pulled off here.

Fuck you if you don't get it. I can't be responsible for everything that you've missed.

I had 'Where the Streets Have No Name' ready to roll even before I dropped 'em off. Look, this is my documentary, man. I've been thinking this thing up for eons. I've been starring in this thing all my godamn days. I know the music. I don't pay for shit. I piss all over your licensing and publishing.

I take U2 and I do what I want with them.

I light a smoke and stare at the sky as The Edge rises from the mist of his lonesome heath. I gun it by the farm that stinks like ass. I'm relieved to be free for a while but there's a high price to pay and that's guilt, baby. My lite sighs sound like chains clanking down off me but dude I can't win here.

Just as fast as I start pondering maybe going to the bar for an hour or two/maybe having a few beers/maybe watching some women with my do-nothing eyes/the guilt slams into the Honda and the airbags go off and I'm flying through the fucking summer sky/cartwheeling down into the cornfields/windshield shattered in the middle of the road/I catch a sky fall glance at my hissing hot radiator rolling up on somebody's lawn as I slam into the ground with the force of a crashing jet/the whole thing so intense to look at from the cars back behind me on the road/the life I have been living up until now making way for a whole new chapter that includes me dying in some fifteenth-row-from-the-road row of sweet Pennsylvania corn.

I imagine the tiny highway cross they will leave roughly where I came through the windshield. I will stand there and watch people fly by on their way to work or to get home in time to watch the Penn State game kickoff or whatever. I will haunt that little cross.

It will be an amazing scene to catch on film if the documentary maker has half a brain to think of it. My ghost at my own highway cross, are you kidding me? That will get me laid at Sundance for like the next fifty Sundances.

I miss them so much in the moments I leave them that I end up dying in the middle of my own movie every single time.

My drama knows no end.

I even play 'Where the Streets Have No Name' just so I can feel the goosebumps on my neck even when I don't crash/which is every time so far, you know.

I wanna run

I want to hide

I wanna tear down the walls that hold me inside...

I'm not crazy. I'm the opposite, yo. I kill me off to feel more alive than ever before. Moving away from them, I dream of my own nerves dangling out of my arms and my face like shiny red ribbons, like coral snake babies coming out of their eggs, because I know deep down that all this moving away from them is just a dream. It's just a dream.

We are together all the time. We are together all the time, I'm always turning up the tune, always cranking the knob in the very moment before Bono starts singing, always thrashing around in my own love for you three in ways that make it humanly impossible for any earthly notion of time or space or law to keep us apart.

My heart is more than the sky.

My heart is the first moments of the tune Daddy keeps playing for you over and over again, you guys. In the car, looking at you in the rearview even when you are not there, I know you are damn well there.

Even as I hold my fist in the air in the moments before he starts to sing, signaling to you that it is coming, that the dust cloud disappears without a trace, and that I love you more than I can ever even begin to fucking understand, I know you are there.

And that this movie is epic.

And that I'm sure that every word will make sense in time, that someday these things that I wrote will find the six eyes that I wrote them for.