We Were Here.

by Serge Bielanko


As Violet was napping I decided to wade out deep into YouTube. I mean deep, people. When I go in: I go in. Bobbing up and down through elaborate keywords. Swimming hard out past those leads and into choppier waters. Submerging. Grabbing onto tiny buoys that promise but don't deliver. Yet I cannot give up. Ever. I swim out through an evil riptide of digression, hold my focus with everything I've got and voila. I'm at a massive rock festival at Castle Donnington in Leicestershire. Then I'm traveling and moving back through time and space. A few successive videos succeed in wiping the age off of some older men's faces. It's magical. They turn into nothing but boys, really.

And so there I am, ending up in the most fascinating and unexpected place. On a corner in London. Covent Garden. It's 1976...a great year in music and movies and historical parades. And there are the guys from one of my favorite bands, AC/DC.

Lads. Angus looks like he's twelve. Bon Scott has a banana sticking out of his Daisy Dukes. For real. And no shirt, or shoes.

It blows my Monday mind. Time travel.

And after a couple unfocused minutes it hits me. I'm thunderstruck. They are standing on a corner that I know very well. Hot damn. You probably would recognize it too, if you've been to Covent Garden. It's down the street from the Tube station I think. So yeah: there's AC/DC looking insanely young. They're probably hung over. In '76 they were in the middle of their LOCK UP YOUR DAUGHTERS TOUR and more than likely they were feeling rather invincible on a sunny summer afternoon in London. If you go find the video and watch it you'll see what I mean, I think. They're sort of dripping with satisfaction. With YoungManLife. Rock'n'rollers far from home and playing like ten nights at a theater in town plus a lot of other dates all over the UK. Rock'n'rollers eating catered spaghetti bolognese and sipping styrofoam cups of lager in the back halls of dank dungeon-esque backstages amidst clattering amp cases and roadies speaking in Pirate tongues. AC/DC. A still young band. Smoking fags by fire exstinguishers. Laughing. Kissing teenage chicks they met in Portsmouth or Leeds, who've come down on the train to see the band.

What happens on a corner at any given moment is such a wonderful thing to consider. Any second someone might saunter by unseen on their way down the block to change the world somehow. I've seen stilt-walkers and nutshell hustlers on that very corner myself. Gods knows who else has stumbled through. Hell, you could spend a lifetime just dreaming about it. I do that shit a lot. Churchill on a little bender? Maybe. Some people running from bombs dropping out of the winter night? Probably. Boy George Christmas shopping in a light evening snow? Why the hell not?

I've stood out there in that part of London a bunch of times. Mostly by myself. I can remember feeling overwhelmed by the sheer numbers of people heaving around me more than once. Crowds moving in every direction with no real flow to follow. Bus groups from Wales. Kids watching sword-swallowers and breakdancers. I would just bounce around, ricocheting off of lovers making out and elderly Germans moving slowly through the human forest. That damn corner. I can remember standing RIGHT there as I tried to figure out what to do with myself. Lonesome Serge in one of the most congested places on Earth. If only I'd known that AC/DC had once been strolling around right where I was standing/smoking/staring at shit. It would have made it so much cooler.

A few years later after the video I watched, AC/DC's singer was dead. In a car outside a flat on some back road in some far-flung section of the same city. But in the video I came across dying is obviously/deservedly the furthest thing from his mind that day. He's giddy. Super 70s'd out. Maybe stoned. Probably stoned. But he's a joy to watch for a fan like me. I like knowing he was there once. And that later on by coincidence I was there too.

I like knowing that certain corners are just impromptu stages from time to time. Stages where people once stood feeling downright fucking good or horrible or extremely alive or sad or whatever. They laughed there, with friends. Or cried alone. Or gawked at strangers and failed to connect with anything or anyone. Maybe they ate a hotdog there and somebody walked by and said Kennedy had just been shot.

I hope someday to be able to take Violet to some of the corners I have known. In London and Philly and Manhattan. Madrid and Hamburg and Pavia. Crickhowell. Norristown. Conshy. What an excellent series of afternoons that'd be.

"Here's another one where I stood, cupcake." She'll stand there as I make her hold my hand. She'll yawn but try to hide it a little.

"I stood here all dazzled by the spinning city. By myself. Years and years ago. Before I knew your Mom. Way long before you were around, Peppercorn."

Violet will turn away and watch a unicycle rider juggling florescent bowling pins.

"Ahhhh, but baby I still remember it like it was yesterday."

Her thoughts turn to a snack. Maybe a boy she has a crush on.

"When I was a young rapscallion moving through London unnoticed. Like a secret spy. Or a great novelist."

She'll look at me, melt my heart with her sweet sweet eyes. Eyes that yearn to jet.

"AC/DC stood here once," I'll tell her.

If I play my cards just right in the precious God-given years hurdling my way: her face will explode in astonishment and smiles when I say what I say. And with that, that corner will carry on being one of the awesome ones.


You Are Three Pints In And I'm Still Watching Where You Were.

by Serge Bielanko


Friday night, with Violet, and we got rid of the cable so that's out. No channels. None. I miss the channels. Even the ones I never watched. Soccer Channel: you rule. You too C-Span 4. I know you were interviews with dullard Korean War historians taped two years ago at a Book Fair in Hell, but still...you were there. For me. Waiting. I'm so sorry I never stopped by really.

Who cares though. I have stuff to do. Check me out. C'mon, it'll be fun.

Ok, Violet's asleep in her swing: food coma. A whole thing of sweet potatoes and then like 7 oz of Habanero Salsa. (Actually formula, but I git tired/bored of saying 'formula' which sounds so unexcited and typical. I wanted some name with more Life Affirming Qualities, something with more of a Black Magic Voodoo snap to it. So, Habanero Salsa.) And ok, so let's just go over to her for a sec and touch her toes but seriously: we CAN"T wake her up, alright?! This is the Witching Hour and believe me, we cannot party like we need to party here on Friday night if she wakes up. Cool?

Ok: here touch her toe.

OMG! She stirred. She grunted! Did you hear that??!!! Dude she GRUNTED! C'mon get away from her. Shhhhhh!

Ok ok ok. Come out here in the kitchen. Here. Get a dog treat from this Tupperware thing. Got one? Cool. Now. Call Max. Or Milo.

Just whatever: either one: they'll both show up, trust me.

See, here they are.

Milo, SIT! SIT! SIT, Milo! Whatever. Here ya' go. Toss your treat to Max.

Whoa! Did you see that??!!! Did you see him half jump for it?! Oh dude, that was SWEEEEET!

Yo, dude dude...come here...you GOTTA see this!

Check this out. (I show you something, bro.)

What is it? Are you serious? Are you seriously asking what this is? Oh man!

Dude, it's ROSEANNE! The show! These are the like the first 7 seasons! Look each one is like 346 minutes long, man! We could watch these All Night Long and still not see 'em all, bud.

What You gotta split?

Oh.

Damn. Really?

Alright. Uhm. You're going to Piper Down aren't you? Listen to some Black 47/some Matthews/get some beer on your bones. I got ya.

Cool. Cool.

Go.

GO, I SAID. FUCKING JUST GO ALREADY DUDE!

(You go. As you step outside you are just tsunami'd by your independence and your fresh minty Freedom. From all things wife/kids/dogs. You are so glad to be out of there.)

(You feel me staring at you from my big front window.)

(You get in, start it up and pull out without looking at me.)

(A mile away: you still feel me staring out my window at where you were.)

I walk over to the TV and turn it on.

No channels. None.

I want a new drug.


Papa In The Ground Under A Tumbleweed Headstone.

by Serge Bielanko


Today is Pioneer Day. If you're not from Utah/in Utah/schooled on the eclectic history of Utah, then I guess just Google it. Pioneer Day. Anyway, I like the idea of walking across the wild continent in the 1840's and 1850's. So I believe it is time that the Bielanko family gets their chance. I will take the liberty of making Violet about 7 years old here, for dialogue's sake...
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Scene: Dusty hot trail somewhere in middle of unsettled North America. From distant horizon stretching back a mile or more, men and women pull handcarts westward. They move slowly, steadily.

Serge: I am tired of pulling this goddamn thing. What are we doing? I'll bet we get eaten by dinosaurs before the week is up.

Monica: Oh Serge, don't frighten Violet with such Fool Speak (hits him on the back
of his sun-burnt neck with a blackened heavy skillet).

Violet: Oh Mama! Peace at last! I believe he is still very much alive, the Negative Coot!Shall we lay him on the cart?

Monica: Yes, swiftly, darling! We mustn't fall out of line with the train. Dark'll be upon us soon and Lord knows what abominations call this country home.

(Mother and Daughter struggle but manage to heave the floppy body of the Man Figure onto the stopped cart. He lands upon his sugar cane fly rod and it snaps. The ladies giggle at the sound. Then Mama begins pulling the cart.)

Violet: What will it be like where we are headed, Mama? Is it true what they say? That we will be free from our persecutors? Free to live how we choose?

Monica: Well, there will be new freedoms, Sweetheart, but we must remember that with
new freedoms come new dangers, new troubles. And there will be those as well.

Violet: Will Father ever stop bitching about the weather, Mama?

Monica: Violet! Watch your devil'd tongue! And the answer is No. Your papa is a fearful meek manchild. As long as we have him to burden us, we shall never know true liberty no matter how far we travel.

(Miles pass underfoot. Mama's brow is specked with sweat and dust but she never complains. She hauls the cart, their few belongings/their dried beans/some gingham cloth/a kettle/the pan...all shifting endlessly to the whims of the stones in the trail. Serge is jostled awake, hours later.)

Serge: Whiskey! Tobacco! God, just a little something to ease my weary mind!

(He pulls a ratty stuffed piggy to his bosom).

I love you, Mister Mister.

(He falls back to sleep).

(Monica and Violet/Mama and Daughter take turns pulling their handcart across the wind-swept prairie. At dusk, through the hazy dust stirred up by those ahead of them on the trail, they first lay eyes on the majestic fabled Rocky Mountains.)

Monica: Blessed is that vision, child! Behold those Gates to Eden!

Violet: Oh Mama! What splendid hope fills my shell! Shall I awaken Papa? So he can
share this moment with us?

Monica: I suppose that'd be alright, darling.

Violet: Papa! Papa! Quickly Papa! Rise up and see the wonders of God before us on
melting horizon!

(Serge stirs. Groggy, he awakens and rises to one elbow.)

Serge: Huh? What the? What is it child? Why do you stir me from a dream of ale
brooks and currant crumble?

Violet: Oh look, Papa! Look yonder there! We are upon the great dividing mountains!
We've come so far! Our journey is blessed!

Serge: Huh? You must be joking me right? Tell me you're joshing me Wife! We haven't
passed the cursed mountains yet??!! We're still on the East side of Paradise?
I am dreaming surely! WHY IS THIS TRIP TAKING SO GODDAMN LONG?????!!!!

(From the fading sky, an arrow arcs gently through the late summer air. Children bustle in the dust, rag dolls at their chests. Grown men weep with joy at the sight of the far-off peaks. Women pause, drop to their knees in their long heavy dresses, and pray thanks to their Savior. No one sees the arrow dip, fall, and enter the chest of the grown man propped up in the back of his handcart.)

Serge: Oh For The Love Of Jellied Crickets! Just what I need! That stings! Violet,
get Papa some fresh mud directly!

(Then, with an obnoxious sigh: he simply lays back. Dead.)

Violet: Mama. Mama. Look.

(They both stare, but keep the handcart moving forward).

Monica: Indians?

Violet: God?

(His eyes wide open, we pull up and away from the face of the meek dead man, backwards and upwards to reveal a long line of Pioneers, a westward trail laid out before them, and beyond that...a sensational mountain range bathed in heavenly evening glow. Promise hangs thick in the air as we fade to black/close curtain).