Rebel/Daughter.

by Serge Bielanko


Gettysburg. Last day of Battle. This skinny boy from Tennessee runs through all the smoke and the yelling and the noise: God, the fucking noise. Relentless shouting and screams. A symphony of fleshy thuds. Grown men twisting mid-trot, their heads exploding like Turkey Shoot pumpkins. Sabers clanking into God knows what. Crying. Born-tough dirt farmers and mill men and riverboat gamblers and swamp people crying so hard, their faces barely visible in the madness but tears rolling cleaner lines down through their filthy sooty beards; some of their hands reached out right in front of their blurry eyes to reveal to their owners nothing but clenched bones, the flesh burnt off. Some feel little or no pain. Its the horror that gets 'em. Horses are gashed open by mini-balls shot from a thousand yards away. They fly across the long field like peaceful lead hummingbirds before their duty finally calls and they descend a bit to slice through the nervous guts of an Alabama kid, keep on zipping: right through the face bones of a Virginia kid, across the scalp of an old man from the pines of Georgia, and ultimately coming to a smashing rest in the heart of a horse from somewhere south of here.

The Tennessee kid runs with his rifle, bumping into bodies, stepping on bleeding faces with his worn out brogans. He cries with the rest of them. Pisses his pants. Shits his pants. Somebody hollers next to him. Rebel Yell. Then he bursts through a cloud of dust into a peaceful little pocket. Solitude. Unbelievable, he thinks. Dark lung blood bubbles to his lips. He goes for a rest in the middle of Hell, settles to his knees. His ribcage is all exposed. His ribs jutting out to mix with the frayed strips of his homespun soldier coat. Parts of him scatter at his feet like tiny Egyptians at the base of their Pyramid. He doesn't really know he's shot. Doesn't really care to know either. It's just so damn nice to find a place like this out here today. A quiet place. His eyes slide around to see who may want to join him, but all he sees are busybody bees working their way past him, rifles raised above their heads in the nasty artificial fog, everybody keeping super quiet.

He lays down to rest just a while longer. His hands come up to park on his belly but they just slide on in. Hot sticky insides move though his poor boy fingers and goddamnit: without looking he knows it was too good to be goddamn true. Without looking. He knows.

Oh, man.

His young thin legs start thrashing. Outrun the bastards. Down in the dirt with his bone chips and unstrung veins and juices from his juvenile heart, this boy looks up at the headless horsemen who are starting to surround him and does what any American boy oughta do. He tries to haul ass. So yeah, his weak legs get to scampering and quivering and his arms reach out to grab handfuls of thick air to pull him forward, away from the terribleness. He doesn't try to pray or beg or fight back or surrender. Boy tries to run like lightning.

But he can't run, of course. His limbs flap around. His head rises and falls and slams into the summertime field beneath it over and over again. Gurgles of foam shoot from his dirty nose. His eyeballs strain to see past this particular event, but it's all fruitless/useless/pathetic/and sad.

Then, just like that: he quits all the kicking. He quits all the kicking and turns his softening eyes to the demons above his body. They watch without emotion. He quits all that kicking and settles down on the farm dirt, his ravaged chest rising and falling in a series of offbeat jumbles of simultaneous inhaling and exhaling. He hacks. His dearly departed Mama steps from the chaos unscathed and presents herself to her boy. The sounds of battle rush back into this world, onto this field.

But the kid is stone dead.

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In the evening, I push the last wad of Low Fat ice cream sandwich into my already full mouth, tear my eyes from the semi-shitty Charlie Sheen sitcom and listen to the hissing of air in the baby monitor that comes from the box fan I set up in Violet's room. I needed to blow some cool into Violet's overheated world. Well, its simple hissing for a few seconds. But I know what's up. Like clockwork come the whimpers. The baby monitor is super sensitive and picks up her breathy coos like some highly trained Rambo Green Beret in the middle of the bad jungle. First there is just one or two. So soft. Delicate. A lamb at the back door. But then, they pick up steam.

I look at Charlie Sheen. He's probably stared at a hot baby monitor once or twice in his life, I think to myself. But, I bet he didn't get up off his ass.

I get up off my ass.

In the room, crib-side, I lean hard over the rail and grab Violet's thrashing pink foot and stick it in my mouth. And I buzz her: bzzzzzz....with my lips and gums. This tiny act transforms her horrific screams and tortured bawls into a lumpy little laugh. Its an awesome transformation and one that I secretly look forward to when this little ritual comes down each night. I spit the lone foot out and immediately begin massaging the bottoms of both her feet at the same time. I watch the last of her tears slide down her cheek and a gummy open smile form on her face.

I love her so much.

A few minutes later, she seems almost asleep so I sneak away, but I know what's what. I am just picking up Sheen's voice again when I hear the wailing plane taking off again. She's up/she's crying. And this time she's thrashing about. Her chub legs kick fiercely at the air around her. I binky her piehole and this stops the sounds of the freak out, but her eyes are still agape with strange fascinated terror. And her arms and legs are simply clawing for anything. She is fleeing from something it seems. Or trying to really hard.

She's in battle.

With what With who? Who knows.

Her back arches and the binky falls to mattress and the cries become roars. I quickly stick it back in as I reach for the feet, try to get a hold of them to massage/calm them: no dice. She rocks them away from me and bashes them against her bed.

Maybe its that last bottle hitting her little system, I say to myself. I do not convince myself though. She wrestles with Tigger, flings him to her left side. There is no love in the move. I place a new small stuffed sheep on her bare chest. She treats it like a cindering coal. Her body contorts and spins over. She is crying so hard she gasps for air.

I sing some Rudolph but stop after like three lines. Nothing works.

She moves and thrashes and spins and quivers and it breaks my heart though I know she's just acting goofy because she's exhausted to the point of near insomnia.

I stand there with the warm fan'd air shooting at my ass and I rub the back of her sweet exploding head right where the new hair is filling in.

And she stops.

She stops everything. Strange peace happens.

She holds her head up from the mattress. Oh lord: I seize the Father's one chance to soothe his hellbent Child. I rub gently with my fingertips and the crying/snot gargling ceases instantly. I have found a secret spot. I rub more, tuck Tigger up under her arm: six or seven minutes melt into her deep serious sighs. She's letting go. She's letting go. She falls away.

I tiptoe out of the room and back towards whatever is on after Sheen.

Back towards my Diet Coke, I move through rooms both real and imagined.


We Should Hang Out So I Can Kill You.

by Serge Bielanko


Thunder Pie was being worked on so you couldn't see it for like a day and a half. In case you were wondering. I got three emails wondering, so chances are: you weren't wondering at all. So what did I fix/change/enhance about the thing? Well, after careful deliberation, I decided that nothing was fixable. Everything is perfectly bent and warped. Also, I sometimes need to smother things I love with pillows with holes. It's just how it is with me. I smother like a motherfucker while the thing/person/dream stares up at me and breathes and smiles though a hole. It's really wonderful. Seriously.

I also had one of my periodic AssBook meltdowns and deleted every single one of my friends. This too went largely unnoticed in both my real life and my electric one. Hmmph. Anyway, if I de-friended you please don't take it seriously. Truth is: I probably de-friended you for real long ago and AssBook just brought us back together for no reason but boredom and gluttony. Feasting on souls. It's kind of Satanic in a way. Let's see how many entities I can collect, keep track of from a safe distance, devour at my leisure.

Well, I occasionally need to go Full Hell. Simply eat the Souls so that they are not there anymore. Start over with an empty gut. Weird? Yes: weird. Stupid? Yes: probably stupid. Cathartic? Have you ever eaten your own Mother's Soul? Or your wife's? Dear God does it feel good! I am not kidding. And the more Souls you have, the better! I only ate like a little over a hundred, so it was merely a Snack Upon Mortals...but some people have six or seven hundred "Friends". For God's sake, if you have the urgent curiosity/the yearning hunger/the natural need to be free of so much goddamn luggage, if only for a short time, then go ahead and do it. Gorge on the Souls of The Lonely and Bored.

Don't worry, either. The Resurrection takes like four days tops. Most of them don't even want to know what happened, they just send you the Friendship offer once again. Gotta keep the numbers up.

Also, I walked out of our marriage therapy thing yesterday after like ten minutes in which I felt attacked by you-know-who. I regret it, but what are you gonna do? Truth be told....and this is no lie...I was catching a very sensational eighteen inch brown trout at the moment the session would have been ending. Then I spent ten more hours with Green Drakes and Stoneflies and WD40's and many many fish. The Lord works in mysterious ways. So do I, I guess.

I know it was wrong: to walk out of the session. I am ashamed/embarrassed. Plus I really like our therapist and I believe strongly that it's all been working ok. Then we miss two straight weeks and we dive-bomb into a field of our own corn. Anyway, life goes on. She got paid; I flung the twenties into Monica's lap as I walked out. Don't tell me I'm an asshole either. You're one to talk.

So, this has been a roller coaster ride: this whole week. A series of little senseless pin pricks at the Big Balloon beating behind my ribs. A Feast of Souls.

Just another week, really.

And oh yeah: Violet makes me smile and glad to be alive.


The Ballad Of Lonesome August Cola.

by Serge Bielanko


I was born lonesome.

I have a brother and we've always been tight, but other than that, I'd lose every buddy I had after a spell. Or they'd cut me loose. I wasn't a jerk or anything. It was just my fate. It just happened that way. Still does, I suppose. We'd be the best of friends for a time but then someone changed schools or someone moved on to more happening cliques or moved away after the divorce. Then, somebody got into very excellent Catholic school girls and meeting up in alleys to kiss after dinner while somebody else continued to gobble back-to-back bowls of mint chocolate chip in front of Punky Brewster. One of us went away to college/to ladies/to cold winter afternoons in pizza pubs with wings and pitchers while one of us slid over into a seldom visited corner to fill bongs with crushed ice and Listerine in peace.

By the time I hit eleven I was all up in my head. I was Rod Carew.

Muggy Saturday afternoons I'd chug ACME cola cans from my Mom-Mom's fridge and watch the Game of the Week. I loved Rod Carew, mostly because he was out in California. All that foreign sunshine glinting off his batting helmet as he twirled his bat slowly, methodically, like a ferris wheel of hits. After six innings or so I couldn't take any more. I'd walk out and stand in the dirt by my Pop-Pop's tomato garden and twirl my fat wooden bat that was too heavy. Around and around, much slower than I can write it for you: I would spin the bat/push the bat through the suburban August afternoon by myself, waiting for the right moment to cease the movement and await the next pitch.

The crowd would cheer for me. A husky kid from Conshy that no one even really knew who the hell he was on his own block; all of the sudden he's the greatest fucking hitter since Mantle. Lawnmowers would buzz six yards over like airplanes flying over the stadium advertising good bars to drink beer in after the game. I'd stare up at the flappy half dead leaves in the trees all around me and see many adoring faces, determination faces, on fans putting their thoughts into my head. HIT. THE. BALL. BIELANKO/CAREW/ROSE/SERGE/DAVE PARKER/BIELANKO/DAVE KINGMAN/LONESOME SERGE THOROGOOD: HIT THE GOTDAM BALL OUTTA THE PARK.

Cleo the asshole Chihuahua would bark halfway across the block and her arrogant chatter was just some dude in the visitor's dugout trying to get to me.

Then the day would just roll over onto its chubby-ass bloated sweaty self and just smother all the ridiculous noise into its hot fat rolls so that the whole afternoon just fell quietly beautiful/beautifully quiet.

And just like that: I'd stop twirling the bat. Dig in. Zoned.

I am in my lonesome batting position now. But I have to pitch also. So I throw up my hard rubber ball in slow motion with my left hand; I begin to step into the pitch; a car passes behind me on Forrest Street but I don't hear it; my left hand releases the pitch/slow fastball (again); my left hand hurries back to the bat; my eyes pick out the aspirin tablet hurdling at me through the majestic California afternoon sunshine; I am so very alive; I am so very alone; I am so very happy.

GONK!

The fake baseball pops off my bat hard and line drives directly into the back of my grandfather's house just below the window that I will soon stand in while listening to my Uncle's Genesis Three Sides Live 8-track and falling in love with music. The fake baseball line drives into the wall and leaves another dirt mark on the white paint and falls back into the yard twenty yards away. In life: it'd be a line drive straight into the second baseman's mitt.

Here in Pop-Pop's yard, it's a stand-up double.

I adjust my batting glove. It's petrified stiff from wearing it in the rain. It's actually useless now.

Then I drop the bat into the dirt and walk through the yard to where the hard rubber ball lays in the tall un-mowed grass. I pick it up. Hear the crowd. I wave inconspicuously. A little tip of my lonesome cap to the people in the stands, in the trees.

I love them. And they love me.

I pick up the ball and walk back towards the bat.